Wednesday, February 10, 2010
Coma Divine: The Music of Porcupine Tree - Part III
The Sky Moves Sideways – 1995
“We lost the skyline. We’ve stepped right off the map”
Before I begin, I would like to recall probably my favorite experience with this record. It was back in the spring of 2007 and I couldn’t sleep. It was sometime after midnight and I couldn’t calm down enough to fall asleep. So I decided to get in my hot tub. I grabbed a random disc off my spool of CD’s and went outside. It was a cloudless night and all the stars were out. I put the CD into the tubs player. Then I got in a relaxed. Needless to say, I had no idea that this combination of circumstances would lead to the trip that followed. Anyway… If I had to make a list of my favorite Porcupine Tree records, (like choosing between children), The Sky Moves Sideways would probably be at the number 2 spot. It’s defiantly my favorite of the bands psychedelic-ear recordings. It has a strange calmness to it that are absent in the bands previous two records. I think that’s why I enjoy it so much. The otherworldly sounds captured here are nothing short of breathtaking. As the title would suggest, this album has the same influences that have been present throughout the bands existence. The spacey keyboards, the trippy guitar loops, the haunting vocals. But there’s something different on here – three more band members. The Sky Moves Sideways was Porcupine Tree’s transitional album from a one-man-project to a full band. And as a result all the instruments sound much more flushed out sound wise. Everything has a fuller and more complete feel to it that couldn’t have existed if Steven had continued the band by himself. Thus we meet keyboardist Richard Barbieri, drummer Chris Maitland, and bassist Colin Edwin. I would say that the addition of Richard was the biggest change to the band because with Richard now on keyboards, Steven was now free to focus more energy on his guitar work. This is probably the biggest instrumental improvement I have ever heard from a musician, (and only two years after Up the Downstair!) But it’s the lyrics that really show us what Porcupine Tree can do. I wouldn’t label this record as a concept album per say, but it does, at least for me, have a reoccurring theme – the passage of time. One has a sense of drifting through a care-free universe. It’s like your mind is gently pulled away from your body by some higher power and takes you on a journey that seems to last a lifetime. Seasons pass before you and you care not. But as the album finally does come to an end, you are left feeling like you gained something from the experience. I felt wiser and strangely at peace after my little late-night hot tub run, and I have a feeling that this album will continue to be a major influence over me as a person in the years to come.
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